Across Asia Youth Film Festival

Across Asia Youth Film Festival
Across Asia Youth Film Festival

"If you want to understand the kind of issues that are on young people's minds, watch their films." David Procter, AAYFF Director

Few would have a better insight into that than David, who watched over 300 films from 62 different schools and 14 countries in his role as Director of the Across Asia Youth Film Festival 2018. He describes gaining a real sense of Asia through the eyes of 10-21 year olds, with cultures throughout the region represented in both vignettes and portraits of people's lives. Often cathartic, the subject matter covered issues very personal to being a young person today, including academic pressure, body image, the impact of screen time, personal relationships, as well as wider themes including conservation, pollution and poverty.

"AAYFF is an opportunity for young people to tell a story from their own perspective, and with their skill in communicating so honestly and personally; in taking ownership of their narrative and putting it across with their specific style of storytelling, their work is uniquely compelling."

David Procter, AAYFF Director

As a teacher who has invested a great deal in developing audio-visual literacy through filmmaking at Tanglin Trust School, David understands the passion and determination it takes to tell a story through film. With the young filmmakers giving so much of themselves, the AAYFF in return gives them the broadest possible audience for their work, with many opportunities to connect with their audience, media professionals and peers.

"The film industry is all about knowing the right people, networking if you will. But I wouldn't say that I network as such, I go to experience, to meet and learn from others who are in the same sort of area. The AAYFF is one of the best [ways of doing this] for people like me, in my opinion. A whole Industry Day to get to learn from the pros, also to have time to talk to the other filmmakers and learn from them too... the biggest benefit is just simply having a lot of filmmakers in one place." Ewan Windebank, Best AAYFF Film 2018 and Best 13-15 Age Group Winner

From the connections formed between each other and industry professionals at the Industry Day, to the live audience reaction at the Gala Screening and the feedback from the judging panel, it is clear that the festival format puts young filmmakers front and centre of the dialogue they instigate by expressing themselves through film.

"I see so much passion in the works that you have submitted. I had fun watching them too. Mediacorp wants to work with young talent, we believe this is an area that we can play an active role too." Doreen Neo, Chief Content Officer, Mediacorp

The AAYFF would not have been possible without the support of the festival partners, Tanglin's neighbours at one-north – Disney, HBO and Mediacorp. The 2018 judging panel included Tom Batchelor, Disney's General Manager of Studio Entertainment for South East Asia; Garon De Silva, Vice President, Original Productions at HBO Asia; and Doreen Neo, Chief Content Officer at Mediacorp.

"These young film makers are truly inspiring, and we thank them for sharing their vision." Garon De Silva, Vice President, Original Productions at HBO Asia

The addition of the Industry Day this year gave shortlisted filmmakers an insight into a range of pre-production, production and post-production procedures. Presentations by Industrial Light & Magic and Lucasfilm introduced the students to the development of characters from initial conceptual sketches to the screen, using examples from Marvel Studios and Star Wars, brought to life with CGI techniques such as motion capture.

Disney provided the students with a detailed picture of the business of film distribution and marketing using the recent 'Avengers: Infinity War' as a case study. During the HBO sessions students had the opportunity to observe VFX, CGI and editing in situ in the suites of Infinite Studios and tour a working set of Mediacorp's long running TV production 'Tanglin'.

Now in its second year, both the event and the entrants have built on the last. It has been very satisfying for all involved to see both the continuity and development. The AAYFF 2017 filmmakers set a benchmark for quality, which the 2018 entrants have expanded upon in interesting, surprising ways. Submissions were technically more advanced and exhibited a greater range and depth of content. The Industry Day also enabled this year's filmmakers to get to know each other and ultimately support each other's work during the screening.

"After the bar was set so high last year, the quality of films at this year's AAYFF was truly impressive, with a technical brilliance that cannot be underestimated. Drone shots, special effects, sounds mixing – the entries were incredible. The future is certainly bright for Asian creativity." Tom Batchelor, General Manager of Studio Entertainment, Disney Studios, Southeast Asia

So what then, is in store for AAYFF 2019? Having founded the festival and directed it for the past two years, David can be satisfied that the vision for the event – to provide a platform for young filmmakers' creativity and to generate international dialogue through their films – has been realised. By connecting young filmmakers, industry partners and educators throughout Asia, the AAYFF has brought together a community that is passionate about film; an IRL forum that should continue to grow and develop going forward.

Before handing over the reins to another school next year, David credits the wonderful community here at Tanglin, including the Management Team, Film Department, Art Department, Events, Marketing and Communications, Theatre and EBT, as well as Catering and Operations, for working together with such energy, creativity and focus to bring the AAYFF vision to life.

"A truly amazing evening and an incredible journey for the filmmakers and Tanglin." Allan Forbes, Head of Senior School, Tanglin Trust School

"It was wonderful to watch the films, and to feel part of this exciting event at my child's school. The AAYFF made me realise what amazing facilities and courses my child has to look forward to as she moves through the years at Tanglin." Infant Parent, Tanglin Trust School

Tanglin Trust School is a great place to study film!
Students are introduced to filmmaking as early as the Junior School, where they are given the opportunity to make short films whilst exploring production roles. They learn how to compose shots, record sound and how to edit in iMovie by selecting best takes, adding titles, music and sound effects. By the end of Junior School the students have been introduced to film grammar and have a growing awareness of how to use industry standard production methods.

In Film and Media Technology in the Senior School, students learn how to read audio-visual media and to produce their own. We believe that a high level of audio-visual literacy is an essential and marketable skill, and central to our approach in teaching film and media is the notion that creative thinkers and dynamic communicators should be able to decode the social and cultural messages and values which are embedded in all moving image texts. With that understanding, they also gain insight into how to develop their own audio-visual voice.

Film Studies and Media Studies are creative subjects that are reliant upon technology and we encourage our students to explore and utilise the wealth of media creation tools available to them. The school has fantastically resourced film studio spaces where students can plan and film their practical assignments. The teaching areas in the Nixon Building are equipped with a full complement of iMac computers, each loaded with a range of software packages, including Final Cut Pro X for video editing, Cinema 4D for 3D animation, Adobe After Effects for compositing and motion graphics, and Adobe Photoshop, Illustrator and InDesign for graphic design. The school library has over 500 DVDs and a comprehensive collection of film books. New state of the art post-production facilities include a sound design room, a colour

grading suite and a forty-seat screening room.

"The facilities are better than some universities I've seen. They give students the opportunity to collaborate, share ideas and make films together. I wouldn't leave the suites if I was here!" Dan Sully, award-winning British Film Director

Tanglin Trust School believes that filmmaking is a collaborative process that promotes independent learning, a spirit of creative freedom and the development of the skills necessary to solve logistical problems. Film Studies is taught at GCSE, A Level and IB with many of the students choosing to study film at university. There are also numerous curriculum enrichment opportunities available to help students develop their practical production skills.

To see the winning films, click here.